NEW YORK — The bronze statue of Theodore Roosevelt, on horseback and flanked by a Native American man and an African man, which has presided over the entrance to the American Museum of Natural History in New York since 1940, is coming down.
The decision, proposed by the museum and agreed to by New York City, which owns the building and property, came after years of objections from activists and at a time when the killing of George Floyd has initiated an urgent nationwide conversation about racism.
For many, the “Equestrian” statue at the museum’s Central Park West entrance had come to symbolize a painful legacy of colonial expansion and racial discrimination.
“Over the last few weeks, our museum community has been profoundly moved by the ever-widening movement for racial justice that has emerged after the killing of George Floyd,” the museum’s president, Ellen V. Futter, said in an interview. “We have watched as the attention of the world and the country has increasingly turned to statues as powerful and hurtful symbols of systemic racism.
“Simply put,” she added, “the time has come to move it.”
The museum took action amid a heated national debate over the appropriateness of statues or monuments that first focused on Confederate symbols like Robert E. Lee and has now moved on to a wider arc of figures, from Christopher Columbus to Thomas Jefferson.
“The American Museum of Natural History has asked to remove the Theodore Roosevelt statue because it explicitly depicts Black and Indigenous people as subjugated and racially inferior,” Mayor Bill de Blasio said in a statement. “The City supports the Museum’s request. It is the right decision and the right time to remove this problematic statue.”
When the monument will be taken down, where it will go and what, if anything, will replace it, remain undetermined, officials said.
Futter also made a point of saying that the museum was only taking issue with the statue itself, not with Roosevelt overall, with whom the institution has a long history.
His father was a founding member of the institution; its charter was signed in his home. Roosevelt’s childhood excavations were among the museum’s first artifacts. The museum was chosen by New York’s state Legislature for Roosevelt’s memorial in 1920.
The museum already has several spaces named after Roosevelt, including Theodore Roosevelt Memorial Hall, the Theodore Roosevelt Rotunda and Theodore Roosevelt Park outside.
“It’s very important to note that our request is based on the statue, that is the hierarchical composition that’s depicted in it,” Futter said. “It is not about Theodore Roosevelt who served as Governor of New York before becoming the 26th president of the United States and was a pioneering conservationist.”
Critics, though, have pointed to Roosevelt’s opinions about racial hierarchy and eugenics and his pivotal role in the Spanish-American War.
The statue — created by James Earle Fraser — was one of four memorials in New York that a city commission reconsidered in 2017, ultimately deciding after a split decision to leave the statue in place and to add context.
The museum tried to add that context with an exhibition last year, “Addressing the Statue,” which explored its design and installation, the inclusion of the figures walking beside Roosevelt and Roosevelt’s racism. The museum also examined its own potential complicity, in particular its exhibitions on eugenics in the early 20th century.
The exhibition was partly a response to the defacing of the statue by protesters, who in 2017 splashed red liquid representing blood over the statue’s base. The protesters, who identified themselves as members of the Monument Removal Brigade, later published a statement on the internet calling for its removal as an emblem of “patriarchy, white supremacy and settler-colonialism.”
“Now the statue is bleeding,” the statement said. “We did not make it bleed. It is bloody at its very foundation.”
The group also said the museum should “rethink its cultural halls regarding the colonial mentality behind them.”
At the time, the museum said complaints should be channeled through de Blasio’s commission to review city monuments and that the museum was planning to update its exhibits. The institution has since undertaken a renovation of its North West Coast Hall in consultation with native nations from the North West Coast of Canada and Alaska.
This article was written by Robin Pogrebin, reporter for The New York Times.